Laurence Balterartist with cameras

Education / Long exposure

Long exposure, step by step

A long exposure lets time pile up inside a single frame: water turns to mist, clouds streak, crowds disappear. The method is simple arithmetic and a steady tripod.

What you need

  • A sturdy tripod. Nothing else matters if the camera moves.
  • A neutral density (ND) filter — dark glass that cuts light without changing colour — so you can use a slow shutter in daylight.
  • A remote release or the 2-second self-timer, so your finger never touches the camera during the exposure.
  • Manual exposure, with a Bulb or Time mode if you want exposures beyond 30 seconds.

The Simple Stop Math in 3 easy steps

Do the quick math on your phone or ask your AI. One stop halves the light, so each stop of ND doubles your shutter time: new shutter time = metered time × 2stops. For example, say you meter 1/125 s and attach a 10-stop filter.

  1. Take your normal exposure reading. Meter the scene without the filter. Say it reads about 1/125 s. On your phone calculator, type 1 ÷ 125. The answer is 0.008 s.

    A phone calculator with 1 divided by 125 typed in
  2. Multiply by 2Stops. Use the number of stops in your filter, for example 10 stops. Keep typing 1 ÷ 125 × 210: press the xy key (red arrow), then type 10. The second red arrow points at the answer, which is in seconds.

    The calculator showing 1 divided by 125 times 2 to the power 10 equals 8.192, with red arrows pointing at the x to the power y key and at the answer in seconds
  3. Set it manually. The answer is your new shutter time, about 8 seconds. Use Bulb past your camera’s longest preset.

FilterStopsLight cut1/125 s becomes
ND8 (0.9)38×about 1/15 s
ND64 (1.8)664×about 1/2 s
ND1000 (3.0)10~1,000×about 8 s

Working backwards: a 2-minute exposure

Start from the time you want and find out how much filter you need. For example, say the scene meters 1/125 s and you want 2 minutes.

  1. Decide the time you want. 2 minutes is 120 s.

  2. Take your normal exposure reading. Say it reads 1/125 s, which is 0.008 s.

  3. Divide. 120 ÷ 0.008 = 15,000. Typing 120 × 125 gives the same answer.

  4. Turn that into stops. 10 stops is about ×1,000, and 15,000 ÷ 1,000 = 15, which is about 4 more stops (24 = 16). In total you need about 14 stops.

  5. Subtract your filter. A 10-stop ND leaves 4 stops to find. Close the aperture 4 stops (f/8 to f/32), or stack a 4-stop ND (ND16).

  6. Set it manually. 120 seconds, using Bulb.

Quick version with one 10-stop filter: unfiltered time = 120 ÷ 210 ≈ 0.117 s, about 1/8 s. Set aperture and ISO until the meter reads 1/8 s without the filter, then fit the ND and set 120 seconds.

Step by step

  1. Compose and focus first, with no filter on. Then switch to manual focus so the camera doesn’t hunt.
  2. Set base ISO and an aperture around f/8–f/11 — the sharp, forgiving middle of most lenses.
  3. Meter the scene and note the shutter speed the camera suggests. Say it’s 1/125 s.
  4. Attach the ND filter.
  5. Do the math. 1/125 s through a 10-stop filter is about 8 seconds. Set it manually (use Bulb past your camera’s longest preset).
  6. Release with the remote or timer, check the histogram, and adjust one stop at a time.

How long for what

SubjectTryWhat you get
Moving water½ to 4 sSoft flow that keeps some texture
Moving water30 s and upGlassy, misty surface
Clouds1 to 3 minutesStreaks; length depends on wind
Crowds and traffic5 to 30 sMoving people vanish, still ones stay

When it goes wrong

  • Soft frames: wind on the tripod. Hang your bag from the centre column, and turn lens stabilisation off on a tripod.
  • Colour cast: cheap ND filters tint warm or cool. Shoot RAW, set white balance in editing, and buy a neutral filter once.
  • Specks and noise in the dark areas: try your camera’s long-exposure noise reduction, which takes a second “dark” frame to subtract.
Which filter?A variable ND lets you dial the strength instead of swapping filters, and a magnetic system makes changes quick at the water’s edge. The next lessons cover choosing filters and the infrared variation of this technique.